Author: Eliz

Strange World (2022) Review | Jason’s Movie Blog

COLORFUL AND VIBRANT,

YET NOT EXACTLY A MEMORABLE HIT


 

Walt Disney’s animated feature films have always been a hot commodity with its viewers as well as its theatrical box office success. For more than two decades, the animated powerhouse studio has been both reinventing itself and looking back to its glory days, harkening to a time when their cartoon motion pictures were celebrated with their signature style. Beginning back in 2009’s Princess and the Frog, the company has looked towards that particular style for some of his more prominent hits, recalling its time-honored traditions of storytelling of princess, animal sidekicks’ characters, and musical songs to sing. This includes films like Tangled in 2010, Frozen in 2013, Moana in 2016, and Frozen II in 2019. That being said, Disney has also branched out into more contemporary fields for the cartoon storytelling feature films, branching out into the superhero variety with

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Cinematic Flashback: Avatar (2009) Review

The Sky People have sent us a message…. that they can take whatever they want. That no one can stop them. Well, we will send them a message. You ride out as fast as the wind can carry you. You tell the other clans to come. Them Toruk Macto calls to them! You fly now, with me! My brothers! Sisters! And we will show the Sky People…. that they cannot take whatever they want! And that this…. this is our land!” as Jason’s Movie Blog takes a trip back to the world of Pandora for the latest “cinematic flashback” of the sci-fi adventure blockbuster of 2009 Avatar.

AVATAR

“Enter the World”

Director: James Cameron

Writer: James Cameron

Starring: Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez, and Sigourney Weaver

Run Time: 162 Minutes

Release Date: December 18th, 2009

Rated: PG-13

THE STORY


In the distant future, when

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Spider-Man: Across the Spider-Verse Official Trailer

Spider-Man: Across the Spider-Verse Official Trailer

It’s time to head back into the “Spider-Verse” as Sony Pictures releases official trailer for the upcoming animated sequel Spider-Man: Across the Spider-Verse. View trailer below.

After reuniting with Gwen Stacy, Brooklyn’s full-time, friendly neighborhood Spider-Man is catapulted across the Multiverse, where he encounters a team of Spider-People charged with protecting its very existence. But when the heroes clash on how to handle a new threat, Miles finds himself pitted against the other Spiders and must redifine what it means to be a hero so he can save the people he loves most.

I was wondering when the new trailer for this movie was going to be released. Following the success of the 2018 film, I was quite curious to see what Sony was going to do with this particular animated property, with a sequel being planned for sometime in the future. Well,

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She Said (2022) Review | Jason’s Movie Blog

“WILL YOU GO ON THE RECORD?”


 

As many theatrical feature film endeavors have delved into fictional arena to find its narrative storytelling, others have taken strides into the more “real world”, with various accounts (albeit through a cinematic filmmaking lens) of depicting / examining lives and events of world and how sometimes the truth (the real truth) comes to light, which has been overlooked and / or suppressed due to its implications surrounding it. Taking on big corporations, exposing a hidden truth, or revealing an unspoken revelation, these narratives ring true within their dramatic storytelling, which is aided by its “based on a true story” framework, adding credence and palpability within its tale. Of course, Hollywood (over the years) has taken an interest in these narratives; producing such films like Zero Dark ThirtySpotlightThe ReportViceConcussion, Dark Waters, and several others. Now,

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Spectrum.internet TV And Movie Ratings With Descriptions

Movie RatingsThe Motion Picture Association of America (MPAA) says it will take into account on-display smoking in its film ratings system.

All that can not be stated of Fandango, a NBCUniversal subsidiary that uses a 5-star rating system wherein almost no movie will get fewer than three stars, in response to a FiveThirtyEight evaluation. What’s extra, as I’m scripting this, scores on are skewed even increased because of the weird approach Fandango aggregates its customers’ critiques. And while different sites that collect user critiques are often tangentially related to the media trade, Fandango has an instantaneous interest in your want to see a film: The firm sells tickets on to consumers.

The class of ‘Violence’ is one which at all times sparks controversy within the United States, and a standard criticism is that the rankings are skewed closely toward the opposite areas but do not punish films for holding high ranges …

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